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„... und laut zu sagen: Nein.“

Eine Ausstellung des Max-Leven-Zentrums über die NS-Zeit in Solingen

Wechselausstellung
"... und laut zu sagen: Nein." – Kurt Tucholsky © Max-Leven-Zentrum
"... und laut zu sagen: Nein." – Kurt Tucholsky © Max-Leven-Zentrum
8.5.21
31.5.25

Der Verein Max-Leven-Zentrum Solingen e.V. zeichnet mit der Ausstellung „… und laut zu sagen: Nein.“ die lokale Geschichte der NS-Zeit nach. Ein Schwerpunkt liegt dabei auf dem Widerstand gegen das NS-System, seinen Formen, Strategien und Bedingungen, dem Wirken und Scheitern, sowie den Auswirkungen fehlenden Widerstands.

Neben dem vielfältigen Widerstand aus der Arbeiterbewegung gab es in Solingen auch christlichen Widerstand sowie Einzelpersonen, die sich unter Lebensgefahr für Verfolgte einsetzten. Nachdem dieser Widerstand größtenteils zerschlagen war, nahm die Verfolgung von jüdischen Menschen, Sinti, Menschen mit Behinderung und sogenannten „Asozialen“ ihren mörderischen Lauf. Auch die unmenschliche Behandlung von Zwangsarbeiter:innen und Kriegsgefangenen wird thematisiert, ebenso wie die Bombardierung Solingens, die Endphaseverbrechen und die Befreiung. Nach 1945 waren es unter anderem ehemalige Widerständler, die von den Alliierten mit der Organisation der Nachkriegsverwaltung betraut wurden.

Der Verein Max-Leven-Zentrum Solingen e.V. gründete sich im September 2019, um die Entwicklung einer Bildungs- und Gedenkstätte in Kooperation mit der Stadt Solingen als Trägerin voranzutreiben. Sie wird im Neubau der Hauptgeschäftsstelle der Stadt-Sparkasse Solingen am Standort der ehemaligen kommunistischen Tageszeitung Bergische Arbeiterstimme und Wohnort des Kulturkritiker Max Leven entstehen, der hier in der Pogromnacht 1938 ermordet wurde.

nein.max-leven-zentrum.de

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Test Alt Text
Max Leven mit seiner Tochter Hannah, Sohn Heinz, einem befreundeten Mädchen, Tochter Anita und Frau Emmy (v.l.), © Stadtarchiv Solingen, RS 9298
Test Alt Text
Max Leven mit seiner Tochter Hannah, Sohn Heinz, einem befreundeten Mädchen, Tochter Anita und Frau Emmy (v.l.), © Stadtarchiv Solingen, RS 9298
Führung in der Ausstellung im Zentrum für verfolgte Künste © Daniela Tobias
Ausstellungsansicht im Zentrum für verfolgte Künste © Daniela Tobias
Test Alt Text
Max Leven mit seiner Tochter Hannah, Sohn Heinz, einem befreundeten Mädchen, Tochter Anita und Frau Emmy (v.l.), © Stadtarchiv Solingen, RS 9298
Ausstellungsansicht im Zentrum für verfolgte Künste © Daniela Tobias
Führung in der Ausstellung im Zentrum für verfolgte Künste © Daniela Tobias

Material

Pressespiegel

Aktuelles

Ausschnitt aus Willi Deutzmann, „Kapelle im Frühling (Chicago)“, Öl auf Leinen, 1947, Sammlung Heinz-Willi Müller
14.11.24
9.2.25

Wechselausstellung

:

Solinger Künstler in der Kunstregion Rheinland 1933-1945

Moorsoldaten? Eine Spurensuche

Das Museum Zentrum für verfolgte Künste widmet sich aus Anlass des 650. Jubiläums der Stadtgründung der Kunstszene in Solingen zwischen 1933 und 1945.

Paul Ern, Junge Amsel, Holzschnitt, Sammlung Heinz-Willi Müller, Foto: Dirk Rose
8.12.24

Führung

:

Öffentliche Sonntagsführung „Solinger Künstler in der Kunstregion Rheinland 1933-1945“

Moorsoldaten? Eine Spurensuche

Die öffentliche Führung im Zentrum für verfolgte Künste zeigt Werke Solinger Künstler:innen aus der Sammlung von Heinz-Willi Müller

Wolfgang Langhoff, „Die Moorsoldaten“, © Bürgerstiftung für verfolgte Künste – Else-Lasker-Schüler-Zentrum – Kunstsammlung Gerhard Schneider
15.12.24

Führung

:

Öffentliche Sonntagsführung „Solinger Künstler in der Kunstregion Rheinland 1933-1945“

Moorsoldaten? Eine Spurensuche

Die öffentliche Führung im Zentrum für verfolgte Künste zeigt Werke Solinger Künstler:innen aus der Sammlung von Heinz-Willi Müller