In order to be able to display video content from Vimeo, we use cookies on this site. Vimeo may collect personal data for analytical purposes. By clicking “Accept”, you agree to this data processing. Further information and the option to withdraw your consent can be found in our Privacy statement.

Felix Nussbaum

1904
1944
Felix Nussbaum, passport photo 1942, © Felix-Nussbaum-Haus/Kulturgeschichtliches Museum Osnabrück
Felix Nussbaum, passport photo 1942, © Felix-Nussbaum-Haus/Kulturgeschichtliches Museum Osnabrück

The life of the Jewish artist Felix Nussbaum was marked by persecution and flight. In 1933, Nussbaum and his partner Felka Platek were already abroad when he was awarded the prestigious Villa Massimo scholarship for a period of study in Rome. From there, they fled via France to Belgium. There, between 1939 and 1944, he secretly created a powerful late body of work.

1904

Felix Nussbaum was born in Osnabrück on December 11 as the second son of the Jewish hardware dealer Philipp Nussbaum and his wife Rahel.

1922—1928

Nussbaum left the Osnabrück Realgymnasium without graduating and studied painting and graphic arts at the Hamburg School of Applied Arts. From 1923, he continued his studies at the Lewin-Funke School and at the United State School of the Academy of Arts in Berlin. He achieved his first successes with exhibitions at the Goldschmidt Gallery and the gallery of the Wertheim department store.

Felix Nussbaum, self-portrait with mask, inscribed (on the back of a photo in the estate of Mutter Ey and in the catalogue of the Kassel 1929 exhibition), signed and dated: Felix Nussbaum 1928, oil on canvas, 62 × 50.5 cm, © private collection

1929

Participation in the exhibitions Women in Distress in Berlin and in the Fourth Great Art Exhibition Kassel with the Self-portrait with Mask, Landscape with Balloon and Berlin Street.

Felix Nussbaum, Landscape with Balloon, signed and dated: Felix Nussbaum 1928, oil on canvas, glued to pressed fiber during the restoration in 1971, © Privatbesitz

1934

Die Prussian Academy of Arts awarded him the Grand State Prize for his painting Der tolle Platz (The Great Place) and granted him the Villa Massimo Scholarship, a residency in Rome. A fire in his sublet studio in Berlin destroyed almost all of his early work.

Max Pechstein, Bruno Krauskopf, Erich Büttner and Rudolf Jacobi at a rally by members of Berlin Secession  at the spring exhibition 1932, in the background The Great Place by Felix Nussbaum, © Ullstein picture

1933—1935

On May 17, Felix Nussbaum was forced to leave the Villa Massimo after an argument and fight with a fellow artist. Nussbaum and his partner, Felka Platek, did not return to the German Reich, but emigrated via Paris to Oostende. Despite the Nazi takeover, his drawings graced the covers of the art magazine Der Querschnitt.

Felix Nussbaum, The Sin of Thought, original: ink with pen and gouache, The cross section, volume 13, 1933, issue 9 (December), © private collection

1935—1937

Felix Nussbaum and Felka Platek stayed in Belgium. On November 16, 1935, he received a Belgian foreign passport. He worked as a freelance artist, porcelain painter and illustrator. In 1937, they moved into an apartment on Rue Archimède in Brussels.

Confirmation from the Kingdom of Belgium that Felix Nussbaum was entered in the foreign register (foreign passport), issued on November 16, 1935, extended on November 8, 1937, © Felix-Nussbaum-Haus/Kulturgeschichtliches Museum Osnabrück

1938

Exhibition of his works in Amsterdam and with the Freie Künstlerbund  in Paris.

1939

Shocked by the pogrom night, Nussbaum's parents fled from Cologne to Amsterdam. They were murdered together with his brother and other relatives in 1944 in the Auschwitz-Birkenau concentration and extermination camp. Rue Triste was exhibited in Brussels.

1940

Following the invasion of Belgium by German troops, Nussbaum was arrested in Brussels in May and deported as an “unwanted alien” to the Saint-Cyprien camp (France). In September, Nussbaum fled back to Brussels.

1942-1944

The Nussbaums went in hiding in the mansard on Rue Archimède. Felix Nussbaum hid his paintings in depots and had a secret studio on Rue General Gratry. His artistic legacy was now being created, such as the portrait with the emergency title Self-Portrait with Jewish Passport. In the 1980s, it became an icon of persecution and the Shoah.

Felix Nussbaum, Self-Portrait with Jewish Passport, signed (on the photo with brush in dark blue oil paint): Felix Nussbaum, undated and unmarked, oil on canvas, 56 × 49 cm, around 1943, © Felix Nussbaum House/Osnabrück Cultural History Museum, on loan from Lower Saxony Savings Bank Foundation

1944

On April 18, he finished his last painting, the so-called The Triumph of Death. On June 20, Felix Nussbaum and his wife were denounced and arrested. On August 2, they both arrived at the Auschwitz-Birkenau concentration and extermination camp on the last train from the Mechelen concentration and extermination camp. Felix Nussbaum was registered as prisoner number B-3594 and his name appeared for the last time on a camp hospital list on September 20. The date of his death is unknown.

Felix Nussbaum, The Triumph of Death (The Skeletons Play to Dance), unmarked, signed and dated: Felix Nussbaum April 18, 1944 Mardi, oil on canvas, 100 × 130 cm, © Felix Nussbaum House/Osnabrück Cultural History Museum, on loan from Lower Saxony Savings Bank Foundation

1955

Five works by Felix Nussbaum were shown in the exhibition Five Osnabrück painters in Osnabrück. His cousin Auguste Moses-Nussbaum, who lived in Israel, searched for the family and found the picture repositories in Brussels. The legal dispute over the return from the deposits lasted until 1970.

1971

Neither a major museum in Israel nor in Germany was interested in the paintings. Only a small group of committed people in Osnabrück organized the first exhibition in the Dominican Church. Year after year, there were more exhibitions and interest in his work was growing.

1998

On July 16, the Felix Nussbaum House designed by Daniel Libeskind opened in Osnabrück. Felix Nussbaum is now a world-famous painter.

2017

The autobiography of Auguste Moses-Nussbaum Journey with Two Suitcases was published by Wallstein Verlag. She reported on the rediscovery of the works of her cousin Felix Nussbaum in Brussels. Her sons brougt the book to the Center for Persecuted Arts in person.

Auguste Moses-Nussbaum, Travel with two suitcases. life memories, edited by Jürgen Kaumkötter and Christoph Rass, commented in collaboration with Jannis Panagiotidis and Frank Wolff. Translated from Hebrew by Ruth Achlama, Wallstein Verlag, Göttingen 2017

Weiterschauen

Milly Steger at Alexander Binder, 1922, ©ullstein picture — Studio Binder
Milly Steger
1881
1948

Milly Steger was supported early on by art patron Karl Ernst Osthaus. Her exceptional talent secured her a position as a city sculptor in Hagen, where she has left her artistic mark on the cityscape to this day. While she showed commitment to the left-wing political spectrum in her early time in Berlin, she lacked such a political stance in 1933—45. The fact that Steger is often classified as a victim of the NS regime must therefore be viewed critically.

Portrait photo of Joachim Ringelnatz, © private property
Joachim Ringelnatz
1883
1934

Joachim Ringelnatz was a German writer, cabaret artist and painter who is known in particular for humorous poems about the artistic figure Kuttel Daddeldu. He was known during the Weimar Republic and counted actors such as Asta Nielsen and Paul Wegener among his close friends and companions. His work, some of which is bizarre, expressionist, funny and witty, is still known today.

Felix Nussbaum, passport photo 1942, © Felix-Nussbaum-Haus/Kulturgeschichtliches Museum Osnabrück
Felix Nussbaum
1904
1944

The life of the Jewish artist Felix Nussbaum was marked by persecution and flight. In 1933, Nussbaum and his partner Felka Platek were already abroad when he was awarded the prestigious Villa Massimo scholarship for a period of study in Rome. From there, they fled via France to Belgium. There, between 1939 and 1944, he secretly created a powerful late body of work.