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Milly Steger was supported early on by art patron Karl Ernst Osthaus. Her exceptional talent secured her a position as a city sculptor in Hagen, where she has left her artistic mark on the cityscape to this day. While she showed commitment to the left-wing political spectrum in her early time in Berlin, she lacked such a political stance in 1933—45. The fact that Steger is often classified as a victim of the NS regime must therefore be viewed critically.
